In this first stage, the catalogue focuses on the modern and contemporary architecture designed and built between 1832 –year of construction of the first industrial chimney in Barcelona that we establish as the beginning of modernity– until today.
The project is born to make the architecture more accessible both to professionals and to the citizens through a website that is going to be updated and extended. Contemporary works of greater general interest will be incorporated, always with a necessary historical perspective, while gradually adding works from our past, with the ambitious objective of understanding a greater documented period.
The collection feeds from multiple sources, mainly from the generosity of architectural and photographic studios, as well as the large amount of excellent historical and reference editorial projects, such as architectural guides, magazines, monographs and other publications. It also takes into consideration all the reference sources from the various branches and associated entities with the COAC and other collaborating entities related to the architectural and design fields, in its maximum spectrum.
Special mention should be made of the incorporation of vast documentation from the COAC Historical Archive which, thanks to its documental richness, provides a large amount of valuable –and in some cases unpublished– graphic documentation.
The rigour and criteria for selection of the works has been stablished by a Documental Commission, formed by the COAC’s Culture Spokesperson, the director of the COAC Historical Archive, the directors of the COAC Digital Archive, and professionals and other external experts from all the territorial sections that look after to offer a transversal view of the current and past architectural landscape around the territory.
The determination of this project is to become the largest digital collection about Catalan architecture; a key tool of exemplar information and documentation about architecture, which turns into a local and international referent, for the way to explain and show the architectural heritage of a territory.
Aureli Mora i Omar Ornaque Directors arquitecturacatalana.cat
credits
About us
Project by:
Created by:
Directors:
2019-2026Aureli Mora i Omar Ornaque
Documental Commission:
2019-2026 Ramon FauraCarolina B. GarciaEduard CallísFrancesc RafatPau Albert Antoni López DaufíJoan FalguerasMercè BoschJaume FarrenyAnton PàmiesJuan Manuel ZaguirreJosep FerrandoGemma FerréInés de RiveraFernando MarzáMoisés PuenteAureli MoraOmar Ornaque
Collaborators:
2019-2026Lluis AndreuSergi BallesterMarianela PlaMaria Jesús QuinteroLucía M. VillodresMontse Viu
External Collaborators:
2019-2026Helena CepedaInès Martinel
With the support of:
Generalitat de Catalunya. Departament de Cultura
Collaborating Entities:
ArquinFAD
Fundació Mies van der Rohe
Fundación DOCOMOMO Ibérico
Basílica de la Sagrada Família
Museu del Disseny de Barcelona
Fomento
AMB
EINA Centre Universitari de Disseny i Art de Barcelona
The architectural historicism and eclecticism of the 19th century have long been rejected and viewed negatively. Perhaps due to ignorance or the overwhelming success of Catalan Art Nouveau, these artistic movements and their architects have been overshadowed. Despised and undervalued, many of their buildings have been mutilated or destroyed without hesitation.
August Font was one such architect. Historicist and eclectic, he left his most emblematic works in Barcelona, although he also worked in Sabadell, Vilafranca del Penedès, Solsona and Tortosa, among other places. Font twice won the City Council Award for the best building in the city and was a professor at the Escola d’Arquitectura de Barcelona for thirty years. His role in the Association of Architects of Catalonia was also noteworthy, as he served as its president in 1906 and 1907.
Despite his importance and success during his lifetime, and the range of work he produced —very diverse in terms of clients, styles and typologies— his fame waned after his death, and with the emergence of Catalan Art Nouveau, he fell into complete silence and almost oblivion. Of all the buildings he constructed in the city of Barcelona, only one bears a plaque with his name: the branch he designed for the Caixa d’Estalvis i Mont de Pietat de Barcelona, on Carrer Gran de Gràcia. Symptomatic.
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