{"id":3600,"date":"2024-06-17T09:01:40","date_gmt":"2024-06-17T09:01:40","guid":{"rendered":"https:\/\/editorial.arquitecturacatalana.cat\/rutes\/el-museu-dels-meus-somnis\/"},"modified":"2026-06-19T08:31:56","modified_gmt":"2026-06-19T08:31:56","slug":"el-museu-dels-meus-somnis","status":"publish","type":"rutes","link":"https:\/\/editorial.arquitecturacatalana.cat\/en\/rutes\/el-museu-dels-meus-somnis\/","title":{"rendered":"The museum of my dreams"},"content":{"rendered":"\n

In 1987, Remy Zaugg wrote Le mus\u00e9e des Beaux-Arts auquel je r\u00eave ou le lieu de l’\u0153uvre et de l’homme <\/em>(The Art Museum of My Dreams or, a Place for the Work and the Human Being), which explored the intersection between art, the viewer and the museum environment, ideal for the artistic experience. To design a good museum, it is necessary to establish and understand which parameters should be assessed and studied. Through a brief weekend itinerary \u2014consisting of spaces for art, but also other facilities\u2014 we seek to answer the question of how to design an ideal museum, the \u2018museum of my dreams\u2019.<\/p>\n\n\n\n

A museum must create an interesting urban space. L\u2019Atl\u00e0ntida<\/a><\/strong> in Vic, although a performing arts centre, exemplifies this by creating spaces that act as a hinge with the surrounding environment, generating what all cultural facilities should be: a point of reference for the city.<\/p>\n\n\n\n

A museum must redefine its context. The Ter Museum<\/a><\/strong>, with its reinterpretation of the existing fa\u00e7ade of Can Sanglas, not only achieves harmonious integration with the natural environment, but also enhances its heritage. In the same way, the Pedra Tosca park manages<\/a><\/strong>, with a small intervention, to redefine our view of the natural environment.<\/p>\n\n\n\n

A museum must offer proper circulation and museographic sequencing. In terms of spatial design, the Episcopal Museum of Vic<\/a><\/strong> is a sublime lesson, with an organic movement through its sacred exhibition.<\/p>\n\n\n\n

A museum must be an interesting place. Space and grandeur are essential, as demonstrated by the MNATEC<\/a><\/strong>, which reformulates the old Aymerich, Amat i Jover factory<\/a><\/strong> and its impressive structure.<\/p>\n\n\n\n

Finally, a museum must pay attention to detail. The meticulousness with which the Terrassa Cultural Centre<\/a><\/strong> has been developed is reminiscent of the Calouste Gulbenkian Foundation in Lisbon. The ceilings are particularly noteworthy, as is the importance of the module, the materiality and placement of specific devices. It is, in short, a hidden gem.<\/p>\n\n\n\n

In conclusion, a museum is a place that, far from being alien to the visitor, is a refuge to which one can go to encounter culture and understand our place in the world.<\/p>\n\n\n\n

<\/p>\n

\r\n
\r\n \r\n \"m'agrada\"\r\n <\/a>\r\n 31 <\/span>\r\n<\/div>
\r\n \r\n \"no\r\n <\/a>\r\n 1<\/span>\r\n<\/div><\/div>","protected":false},"excerpt":{"rendered":"

In 1987, Remy Zaugg wrote Le mus\u00e9e des Beaux-Arts auquel je r\u00eave ou le lieu de l’\u0153uvre et de l’homme (The Art Museum of My Dreams or, a Place for the Work and the Human Being), which explored the intersection between art, the viewer and the museum environment, ideal for the artistic experience. To design a good museum, it is necessary to establish and understand which parameters should be assessed and studied. Through a brief weekend itinerary \u2014consisting of spaces for art, but also other facilities\u2014 we seek to answer the question of how to design an ideal museum, the \u2018museum of my dreams\u2019.<\/p>\n","protected":false},"featured_media":1663,"template":"","meta":{"_acf_changed":false},"tags":[218],"propostes":[],"class_list":["post-3600","rutes","type-rutes","status-publish","has-post-thumbnail","hentry","tag-museus-en"],"acf":{"num_ed":52,"author":1657,"works_list":1655,"header_background":"gallery","video":null,"gallery":[1663],"aquesta_ruta_te_autor":true,"tipus_de_ruta":{"a_peu":false,"amb_bicicleta":false,"amb_cotxe":true},"tipus_de_ruta_per_defecte":"amb cotxe","durada_ruta_per_defecte":"Cap de setmana","tipus_ruta":[],"destacada_a_home":false,"autors_ruta":"\/coeli\/COAC-PRO\/Actor\/Aranda%20i%20Quiles,%20Rafael","invisibilitzar_la_ruta":false,"app-rutes":false},"yoast_head":"\nThe museum of my dreams - Contingut editorial<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/editorial.arquitecturacatalana.cat\/en\/rutes\/el-museu-dels-meus-somnis\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"The museum of my dreams - Contingut editorial\" \/>\n<meta property=\"og:description\" content=\"In 1987, Remy Zaugg wrote Le mus\u00e9e des Beaux-Arts auquel je r\u00eave ou le lieu de l'\u0153uvre et de l'homme (The Art Museum of My Dreams or, a Place for the Work and the Human Being), which explored the intersection between art, the viewer and the museum environment, ideal for the artistic experience. To design a good museum, it is necessary to establish and understand which parameters should be assessed and studied. 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