{"id":3601,"date":"2024-06-17T09:01:40","date_gmt":"2024-06-17T09:01:40","guid":{"rendered":"https:\/\/editorial.arquitecturacatalana.cat\/rutes\/el-museu-dels-meus-somnis\/"},"modified":"2026-06-19T08:32:16","modified_gmt":"2026-06-19T08:32:16","slug":"el-museu-dels-meus-somnis","status":"publish","type":"rutes","link":"https:\/\/editorial.arquitecturacatalana.cat\/es\/rutes\/el-museu-dels-meus-somnis\/","title":{"rendered":"El museo de mis sue\u00f1os"},"content":{"rendered":"\n

En 1987, Remy Zaugg escribi\u00f3 Le mus\u00e9e des Beaux-Arts auquel je r\u00eave ou le lieu del \u0153uvre et del homme <\/em>(El museo de arte de mis sue\u00f1os o el lugar de la obra y del hombre), que exploraba la intersecci\u00f3n entre el arte, el espectador y el entorno muse\u00edstico, \u00f3ptimas para la experiencia art\u00edstica. Para dise\u00f1ar un buen museo, es necesario establecer y entender qu\u00e9 par\u00e1metros deben valorarse y estudiarse. A trav\u00e9s de una breve ruta de un fin de semana -constituida por espacios para el arte, pero tambi\u00e9n por otros equipamientos- se busca responder c\u00f3mo dise\u00f1ar un museo ideal, el \u00abmuseo de mis sue\u00f1os\u00bb.<\/p>\n\n\n\n

Un museo debe generar un espacio urbano interesante. L\u2019Atl\u00e0ntida<\/a><\/strong> de Vic, aunque sea un centro de artes esc\u00e9nicas, lo ejemplifica con la consecuci\u00f3n de unos espacios que act\u00faan como bisagra con el entorno cercano, generando lo que todo equipamiento cultural deber\u00eda ser: un punto de referencia para la ciudad.<\/p>\n\n\n\n

Un museo debe redefinir su contexto. El Museo del Ter<\/a><\/strong>, con su reinterpretaci\u00f3n de la fachada existente de Can Sanglas, consigue no solo una armoniosa integraci\u00f3n con el entorno natural, sino que revaloriza su patrimonio. De la misma forma, el parque de la Pedra Tosca<\/a><\/strong> consigue, con una peque\u00f1a intervenci\u00f3n, redefinir nuestra mirada hacia el entorno natural.<\/p>\n\n\n\n

Un museo debe ofrecer una circulaci\u00f3n y una secuencia museogr\u00e1fica correctas. En cuanto al dise\u00f1o espacial, el Museo Episcopal de Vic<\/a><\/strong> es una lecci\u00f3n sublime, con un movimiento org\u00e1nico a trav\u00e9s de su exposici\u00f3n sacra.<\/p>\n\n\n\n

Un museo debe ser un sitio interesante. El espacio y su grandiosidad son esenciales, como demuestra el MNATEC<\/a><\/strong>, que reformula la antigua f\u00e1brica Aymerich, Amat i Jover<\/a><\/strong> y su impresionante estructura.<\/p>\n\n\n\n

Por \u00faltimo, un museo debe prestar atenci\u00f3n al detalle. La meticulosidad con la que se desarrolla el Centro Cultural de Terrassa<\/a><\/strong> recuerda la Funda\u00e7\u00e3o Calouste Gulbenkian de Lisboa. Destacan especialmente los techos, as\u00ed como la importancia del m\u00f3dulo, la materialidad y colocaci\u00f3n de los dispositivos espec\u00edficos. Es, en definitiva, una joya escondida.<\/p>\n\n\n\n

En conclusi\u00f3n, un museo es un lugar que, lejos de ser ajeno al visitante, es un refugio al que acudir para encontrarse con la cultura y entender nuestro lugar en el mundo.<\/p>\n\n\n\n

<\/p>\n

\r\n
\r\n \r\n \"m'agrada\"\r\n <\/a>\r\n 31 <\/span>\r\n<\/div>
\r\n \r\n \"no\r\n <\/a>\r\n 1<\/span>\r\n<\/div><\/div>","protected":false},"excerpt":{"rendered":"

En 1987, Remy Zaugg escribi\u00f3 Le mus\u00e9e des Beaux-Arts auquel je r\u00eave ou le lieu del \u0153uvre et del homme (El museo de arte de mis sue\u00f1os o el lugar de la obra y del hombre), que exploraba la intersecci\u00f3n entre el arte, el espectador y el entorno muse\u00edstico, \u00f3ptimas para la experiencia art\u00edstica. Para dise\u00f1ar un buen museo, es necesario establecer y entender qu\u00e9 par\u00e1metros deben valorarse y estudiarse. A trav\u00e9s de una breve ruta de un fin de semana -constituida por espacios para el arte, pero tambi\u00e9n por otros equipamientos- se busca responder c\u00f3mo dise\u00f1ar un museo ideal, el \u00abmuseo de mis sue\u00f1os\u00bb.<\/p>\n","protected":false},"featured_media":1664,"template":"","meta":{"_acf_changed":false},"tags":[219],"propostes":[],"class_list":["post-3601","rutes","type-rutes","status-publish","has-post-thumbnail","hentry","tag-museus-es"],"acf":{"num_ed":52,"author":1657,"works_list":1655,"header_background":"gallery","video":null,"gallery":[1664],"aquesta_ruta_te_autor":true,"tipus_de_ruta":{"a_peu":false,"amb_bicicleta":false,"amb_cotxe":true},"tipus_de_ruta_per_defecte":"amb cotxe","durada_ruta_per_defecte":"Cap de setmana","tipus_ruta":[],"destacada_a_home":false,"autors_ruta":"\/coeli\/COAC-PRO\/Actor\/Aranda%20i%20Quiles,%20Rafael","invisibilitzar_la_ruta":false,"app-rutes":false},"yoast_head":"\nEl museo de mis sue\u00f1os - Contingut editorial<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/editorial.arquitecturacatalana.cat\/es\/rutes\/el-museu-dels-meus-somnis\/\" \/>\n<meta property=\"og:locale\" content=\"es_ES\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"El museo de mis sue\u00f1os - Contingut editorial\" \/>\n<meta property=\"og:description\" content=\"En 1987, Remy Zaugg escribi\u00f3 Le mus\u00e9e des Beaux-Arts auquel je r\u00eave ou le lieu del \u0153uvre et del homme (El museo de arte de mis sue\u00f1os o el lugar de la obra y del hombre), que exploraba la intersecci\u00f3n entre el arte, el espectador y el entorno muse\u00edstico, \u00f3ptimas para la experiencia art\u00edstica. 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