Intro

About

In this first stage, the catalogue focuses on the modern and contemporary architecture designed and built between 1832 –year of construction of the first industrial chimney in Barcelona that we establish as the beginning of modernity– until today.

The project is born to make the architecture more accessible both to professionals and to the citizens through a website that is going to be updated and extended. Contemporary works of greater general interest will be incorporated, always with a necessary historical perspective, while gradually adding works from our past, with the ambitious objective of understanding a greater documented period.

The collection feeds from multiple sources, mainly from the generosity of architectural and photographic studios, as well as the large amount of excellent historical and reference editorial projects, such as architectural guides, magazines, monographs and other publications. It also takes into consideration all the reference sources from the various branches and associated entities with the COAC and other collaborating entities related to the architectural and design fields, in its maximum spectrum.

Special mention should be made of the incorporation of vast documentation from the COAC Historical Archive which, thanks to its documental richness, provides a large amount of valuable –and in some cases unpublished– graphic documentation.

The rigour and criteria for selection of the works has been stablished by a Documental Commission, formed by the COAC’s Culture Spokesperson, the director of the COAC Historical Archive, the directors of the COAC Digital Archive, and professionals and other external experts from all the territorial sections that look after to offer a transversal view of the current and past architectural landscape around the territory.

The determination of this project is to become the largest digital collection about Catalan architecture; a key tool of exemplar information and documentation about architecture, which turns into a local and international referent, for the way to explain and show the architectural heritage of a territory.

Aureli Mora i Omar Ornaque
Directors arquitecturacatalana.cat

credits

About us

Project by:

Created by:

Directors:

2019-2026 Aureli Mora i Omar Ornaque

Documental Commission:

2019-2026 Ramon Faura Carolina B. Garcia Eduard Callís Francesc Rafat Pau Albert Antoni López Daufí Joan Falgueras Mercè Bosch Jaume Farreny Anton Pàmies Juan Manuel Zaguirre Josep Ferrando Gemma Ferré Inés de Rivera Fernando Marzá Moisés Puente Aureli Mora Omar Ornaque

Collaborators:

2019-2026 Lluis Andreu Sergi Ballester Marianela Pla Maria Jesús Quintero Lucía M. Villodres Montse Viu

External Collaborators:

2019-2026 Helena Cepeda Inès Martinel

With the support of:

Generalitat de Catalunya. Departament de Cultura

Collaborating Entities:

ArquinFAD

 

Fundació Mies van der Rohe

 

Fundación DOCOMOMO Ibérico

 

Basílica de la Sagrada Família

 

Museu del Disseny de Barcelona

 

Fomento

 

AMB

 

EINA Centre Universitari de Disseny i Art de Barcelona

 

IEFC

 

Fundació Domènench Montaner.

 

ETSAB

Design & Development:

edittio Nubilum

Harnden & Bombelli in ultralocal Cadaqués

  • Mig dia 
per Marc Arnal

Peter Harnden (London 1913 – Cadaqués 1971) and Lanfranco Bombelli (Milan 1921 – Cadaqués 2008) are two architects whose work is of the highest international quality, and we are lucky that nine of their houses are located in the same town: Cadaqués. This route invites you to discover these residences while enjoying the Empordà municipality and its unique landscape.

The professional careers of these two architects are unusual, as they went from being among the first global architects —in the late 1950s— to producing ultra-local work.

In their early days, they worked mainly for the US government, in the context of the Cold War, with the aim of spreading American culture and industry throughout the world. They built pavilions and organised exhibitions from Osaka (Japan) to Montreal (Canada), passing through the main capitals of Europe and North Africa.

In 1956, on their way back from a trip to Madrid, and following the advice of their friend Coderch, they stopped in Cadaqués and were enchanted by the Empordà town. This would lead to a change in their professional and personal lives.

In the late 1950s, this small village on the Catalan coast was almost uninhabited, with many of its buildings half abandoned. The geographical isolation of the town meant that the tourism boom was slow to arrive, but the authenticity of Cadaqués, the uniqueness of Cap de Creus and its special light attracted many leading artists, both national and international. Cadaqués is best known as the residence of Salvador Dalí, and it is also where Marcel Duchamp spent his summer vacations from 1958 until his death in 1968. These artists were joined by other international figures such as Man Ray, Hamilton, Roth, Cage, Cunningham, Matta and Tinguely, as well as Catalan artists such as Ràfols Casamada, Tharrats, and Corberó, among others. At that time, Cadaqués became a leading international cultural centre.

Harnden and Bombelli found here a small cultural oasis where they built nine houses, following the criteria of modern architecture, perfectly integrated into the austere and vernacular architecture of the place, which constitute nine lessons in architecture. At that sweet moment in the history of Cadaqués, the architects Coderch and Valls, Correa and Milá, Barba Corsini and Terradas i Via also built houses.

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