Intro

About

In this first stage, the catalogue focuses on the modern and contemporary architecture designed and built between 1832 –year of construction of the first industrial chimney in Barcelona that we establish as the beginning of modernity– until today.

The project is born to make the architecture more accessible both to professionals and to the citizens through a website that is going to be updated and extended. Contemporary works of greater general interest will be incorporated, always with a necessary historical perspective, while gradually adding works from our past, with the ambitious objective of understanding a greater documented period.

The collection feeds from multiple sources, mainly from the generosity of architectural and photographic studios, as well as the large amount of excellent historical and reference editorial projects, such as architectural guides, magazines, monographs and other publications. It also takes into consideration all the reference sources from the various branches and associated entities with the COAC and other collaborating entities related to the architectural and design fields, in its maximum spectrum.

Special mention should be made of the incorporation of vast documentation from the COAC Historical Archive which, thanks to its documental richness, provides a large amount of valuable –and in some cases unpublished– graphic documentation.

The rigour and criteria for selection of the works has been stablished by a Documental Commission, formed by the COAC’s Culture Spokesperson, the director of the COAC Historical Archive, the directors of the COAC Digital Archive, and professionals and other external experts from all the territorial sections that look after to offer a transversal view of the current and past architectural landscape around the territory.

The determination of this project is to become the largest digital collection about Catalan architecture; a key tool of exemplar information and documentation about architecture, which turns into a local and international referent, for the way to explain and show the architectural heritage of a territory.

Aureli Mora i Omar Ornaque
Directors arquitecturacatalana.cat

credits

About us

Project by:

Created by:

Directors:

2019-2026 Aureli Mora i Omar Ornaque

Documental Commission:

2019-2026 Ramon Faura Carolina B. Garcia Eduard Callís Francesc Rafat Pau Albert Antoni López Daufí Joan Falgueras Mercè Bosch Jaume Farreny Anton Pàmies Juan Manuel Zaguirre Josep Ferrando Gemma Ferré Inés de Rivera Fernando Marzá Moisés Puente Aureli Mora Omar Ornaque

Collaborators:

2019-2026 Lluis Andreu Sergi Ballester Marianela Pla Maria Jesús Quintero Lucía M. Villodres Montse Viu

External Collaborators:

2019-2026 Helena Cepeda Inès Martinel

With the support of:

Generalitat de Catalunya. Departament de Cultura

Collaborating Entities:

ArquinFAD

 

Fundació Mies van der Rohe

 

Fundación DOCOMOMO Ibérico

 

Basílica de la Sagrada Família

 

Museu del Disseny de Barcelona

 

Fomento

 

AMB

 

EINA Centre Universitari de Disseny i Art de Barcelona

 

IEFC

 

Fundació Domènench Montaner.

 

ETSAB

Design & Development:

edittio Nubilum

Joan Miró’s mark on Barcelona

  • 1 dia 
per Dolors Rodríguez Roig

The itinerary proposed here focuses on Joan Miró and his connection with the city of Barcelona.

The panoramic view that gives the itinerary its image takes us back to a creative performance that Miró did in 1969 on the windows of the COAC building, which we can now see thanks to the film made by Pere Portabella. The fact that Miró was surrounded by the citizens of Barcelona while he created and destroyed his work on the windows of the COAC shows that his connection with the city was very strong. Fortunately, there are many places where you can follow in his footsteps and learn about his emotional connection to Barcelona.

The starting point is Terminal 2B at El Prat Airport, where you will find the large ceramic mural by Joan Miró and Josep Llorens i Artigas on one of the building’s exterior walls. This monumental work, measuring 10 metres high by 50 metres long, is one of four gifts that Miró wanted to give to the Catalan capital. With this work, the artist wanted to welcome everyone arriving by air.

Next, crossing Montjuïc mountain, there are two stops on the Miró pilgrimage. On one side, overlooking the sea, is Montjuïc Cemetery, where the artist’s remains lie in the family vault; the pantheon was designed by the Catalan Art Nouveau architect Antoni Vila i Palmés. On the other hand, surrounded by gardens and trees, is the Joan Miró Foundation, designed by architect and friend of Miró, Josep Lluís Sert. It is the centre of reference for the artist’s work and is the greatest example of his generosity towards Barcelona, because the Foundation, for those who don’t know, was also a gift from Miró.

The route continues in the Escorxador Park, now Joan Miró Park, where another of his gifts can be found, the sculpture Woman and Bird. Created in collaboration with Joan Gardy Artigas, it welcomes everyone who arrives by road.

Miró’s last gift, with which he wanted to welcome everyone arriving by sea, is the mosaic in Pla de l’Os, located on one of the main thoroughfares in the city centre, Las Ramblas. Nearby is Passatge del Crèdit, where Miró was born on 20th April 1893, at number 4.

The Catalan and international artist also has works in other museums in Barcelona, such as the Museu del Disseny, the last stop on the itinerary, which houses a collection of ceramics he created in collaboration with Joan Gardy Artigas.

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