Intro

About

In this first stage, the catalogue focuses on the modern and contemporary architecture designed and built between 1832 –year of construction of the first industrial chimney in Barcelona that we establish as the beginning of modernity– until today.

The project is born to make the architecture more accessible both to professionals and to the citizens through a website that is going to be updated and extended. Contemporary works of greater general interest will be incorporated, always with a necessary historical perspective, while gradually adding works from our past, with the ambitious objective of understanding a greater documented period.

The collection feeds from multiple sources, mainly from the generosity of architectural and photographic studios, as well as the large amount of excellent historical and reference editorial projects, such as architectural guides, magazines, monographs and other publications. It also takes into consideration all the reference sources from the various branches and associated entities with the COAC and other collaborating entities related to the architectural and design fields, in its maximum spectrum.

Special mention should be made of the incorporation of vast documentation from the COAC Historical Archive which, thanks to its documental richness, provides a large amount of valuable –and in some cases unpublished– graphic documentation.

The rigour and criteria for selection of the works has been stablished by a Documental Commission, formed by the COAC’s Culture Spokesperson, the director of the COAC Historical Archive, the directors of the COAC Digital Archive, and professionals and other external experts from all the territorial sections that look after to offer a transversal view of the current and past architectural landscape around the territory.

The determination of this project is to become the largest digital collection about Catalan architecture; a key tool of exemplar information and documentation about architecture, which turns into a local and international referent, for the way to explain and show the architectural heritage of a territory.

Aureli Mora i Omar Ornaque
Directors arquitecturacatalana.cat

credits

About us

Project by:

Created by:

Directors:

2019-2026 Aureli Mora i Omar Ornaque

Documental Commission:

2019-2026 Ramon Faura Carolina B. Garcia Eduard Callís Francesc Rafat Pau Albert Antoni López Daufí Joan Falgueras Mercè Bosch Jaume Farreny Anton Pàmies Juan Manuel Zaguirre Josep Ferrando Gemma Ferré Inés de Rivera Fernando Marzá Moisés Puente Aureli Mora Omar Ornaque

Collaborators:

2019-2026 Lluis Andreu Sergi Ballester Marianela Pla Maria Jesús Quintero Lucía M. Villodres Montse Viu

External Collaborators:

2019-2026 Helena Cepeda Inès Martinel

With the support of:

Generalitat de Catalunya. Departament de Cultura

Collaborating Entities:

ArquinFAD

 

Fundació Mies van der Rohe

 

Fundación DOCOMOMO Ibérico

 

Basílica de la Sagrada Família

 

Museu del Disseny de Barcelona

 

Fomento

 

AMB

 

EINA Centre Universitari de Disseny i Art de Barcelona

 

IEFC

 

Fundació Domènench Montaner.

 

ETSAB

Design & Development:

edittio Nubilum

The colonisation settlements in Terres de Ponent

  • 1 dia 
per Mercè Bosch

This route takes you on a journey through the territory, landscape, urban space and buildings of the four colonisation settlements in Terres de Ponent.

In 1939, Franco’s government established the National Colonisation Institute (INC) to carry out a major national project: transforming part of the uncultivated and dry land into irrigated farmland. In addition to the necessary water infrastructure, it had to plan the construction of almost 300 villages to house the agricultural labour force needed to make agriculture the economic source of a country that had to survive under a regime of self-sufficiency.

Sucs, Gimenells, Pla de la Font and Vensilló are the four new settlements created by the INC in the irrigable area of the Aragon and Catalonia canal. The four villages in the Terres de Ponent were designed by architects José Borobio (Sucs, 1945, and Pla de la Font, 1955), Alejandro de la Sota (Gimenells, 1945) and Manuel Jiménez Varea (Vensilló (Huesca), 1961). Also noteworthy are 1943 and 1946, based on the project by Alejandro de la Sota and the intervention of José Borobio.

Although they had to follow the guidelines set by the INC, the architects of the settlements enjoyed sufficient freedom when designing them. The weak economic situation and international isolation gave rise to architecture based on traditional systems and local materials. The architects adapted to these conditions and, using the particular elements of each site, proposed a coherent, functional and pleasant style of architecture that emerged from each of their drawing boards.

The sensitivity of their architecture can be seen in its implementation in the territory, the dialogue between the villages and the rural landscape, the respect for work in the countryside, the awareness of collective life with regard to public spaces, the rejection of folklore or monotonous, dehumanised solutions, and the dignification of domestic space.

The nature of the villages allowed for architectural experimentation that spontaneously forged the arrival of modernity, both in urban proposals and in buildings, which the itinerary directly attests to if it is followed in chronological order of creation. In particular, the route offers a valuable tool for reflecting on urban planning and architecture in rural areas and on the impact of the human scale on the territorial, landscape, urban and domestic spheres. A journey from the immensity of the countryside to the cosiness of the home.

*Vensilló is not included in the itinerary shown on the map, as the Arquitectura Ctalana register is limited to the territory of Catalonia.

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