Intro

About

In this first stage, the catalogue focuses on the modern and contemporary architecture designed and built between 1832 –year of construction of the first industrial chimney in Barcelona that we establish as the beginning of modernity– until today.

The project is born to make the architecture more accessible both to professionals and to the citizens through a website that is going to be updated and extended. Contemporary works of greater general interest will be incorporated, always with a necessary historical perspective, while gradually adding works from our past, with the ambitious objective of understanding a greater documented period.

The collection feeds from multiple sources, mainly from the generosity of architectural and photographic studios, as well as the large amount of excellent historical and reference editorial projects, such as architectural guides, magazines, monographs and other publications. It also takes into consideration all the reference sources from the various branches and associated entities with the COAC and other collaborating entities related to the architectural and design fields, in its maximum spectrum.

Special mention should be made of the incorporation of vast documentation from the COAC Historical Archive which, thanks to its documental richness, provides a large amount of valuable –and in some cases unpublished– graphic documentation.

The rigour and criteria for selection of the works has been stablished by a Documental Commission, formed by the COAC’s Culture Spokesperson, the director of the COAC Historical Archive, the directors of the COAC Digital Archive, and professionals and other external experts from all the territorial sections that look after to offer a transversal view of the current and past architectural landscape around the territory.

The determination of this project is to become the largest digital collection about Catalan architecture; a key tool of exemplar information and documentation about architecture, which turns into a local and international referent, for the way to explain and show the architectural heritage of a territory.

Aureli Mora i Omar Ornaque
Directors arquitecturacatalana.cat

credits

About us

Project by:

Created by:

Directors:

2019-2026 Aureli Mora i Omar Ornaque

Documental Commission:

2019-2026 Ramon Faura Carolina B. Garcia Eduard Callís Francesc Rafat Pau Albert Antoni López Daufí Joan Falgueras Mercè Bosch Jaume Farreny Anton Pàmies Juan Manuel Zaguirre Josep Ferrando Gemma Ferré Inés de Rivera Fernando Marzá Moisés Puente Aureli Mora Omar Ornaque

Collaborators:

2019-2026 Lluis Andreu Sergi Ballester Marianela Pla Maria Jesús Quintero Lucía M. Villodres Montse Viu

External Collaborators:

2019-2026 Helena Cepeda Inès Martinel

With the support of:

Generalitat de Catalunya. Departament de Cultura

Collaborating Entities:

ArquinFAD

 

Fundació Mies van der Rohe

 

Fundación DOCOMOMO Ibérico

 

Basílica de la Sagrada Família

 

Museu del Disseny de Barcelona

 

Fomento

 

AMB

 

EINA Centre Universitari de Disseny i Art de Barcelona

 

IEFC

 

Fundació Domènench Montaner.

 

ETSAB

Design & Development:

edittio Nubilum

The density that Cerdà avoided

  • 1-2 Hores 
per Lluís Permanyer

Cerdà wanted to avoid repeating the costful mistakes made in the walled city in the Eixample, so he studied it thoroughly. This linked statistics to urban planning for the first time and showed that during epidemics, the number of deaths increased in narrower streets. That is why he designed the Eixample with a road network at least twenty metres wide. Domènech i Montaner criticised him, proclaiming that it would be impossible to live with the draughts that would result from it.

This itinerary shows details that reveal a walled city suffocated by an unbearable density surpassed only by Calcutta. It begins at Carrer de les Caputxes 6, where an intensity that attracted draughtsmen, painters and photographers is concentrated. A double arcade allowed him to extend his house with a huge addition. The façade was staggered to gain space – the same procedure was imitated next door, at number 5. The City Council prohibited this construction, which stifled public space. Between these two buildings and the façade of Santa Maria del Mar there was a cemetery, which was converted into a square.

Argenteria, the most prestigious guild street, tolerated the construction of houses on streets, such as Brosolí, Junyí and Gíriti; the latter name is a deformation of ‘Gíra-t’hi’ (turn around), because it is so narrow and angular. The route to Montcada is full of kerbstones on the corners to protect them from being knocked down by carts. One-way streets were introduced, as shown by the sign on the corner of Mirallers and Sombrerers. We can see more kerbstones on Canvis Vells and Sombrerers. We pass in front of Carrer de las Mosques, the narrowest of all, at 1.10 m. In 1441 it was named after the dirt that accumulated there. We enter Carrer Arc de Sant Vicenç, with a building raised above the void of the road, and when we turn onto Carrer Seca, we find the same aberrant practice. The name of the latter corresponds to the historic mint, a space that was renovated to house the Brossa Foundation. We turn another corner, onto Carrer de la Cirera, to finally enter Flassaders and rejoin Carrer de les Mosques. Suffocating!

Tornar
Si no visioneu el mapa reviseu el vostre consentiment de cookies fent click aquí

Autors (7)