Intro

About

In this first stage, the catalogue focuses on the modern and contemporary architecture designed and built between 1832 –year of construction of the first industrial chimney in Barcelona that we establish as the beginning of modernity– until today.

The project is born to make the architecture more accessible both to professionals and to the citizens through a website that is going to be updated and extended. Contemporary works of greater general interest will be incorporated, always with a necessary historical perspective, while gradually adding works from our past, with the ambitious objective of understanding a greater documented period.

The collection feeds from multiple sources, mainly from the generosity of architectural and photographic studios, as well as the large amount of excellent historical and reference editorial projects, such as architectural guides, magazines, monographs and other publications. It also takes into consideration all the reference sources from the various branches and associated entities with the COAC and other collaborating entities related to the architectural and design fields, in its maximum spectrum.

Special mention should be made of the incorporation of vast documentation from the COAC Historical Archive which, thanks to its documental richness, provides a large amount of valuable –and in some cases unpublished– graphic documentation.

The rigour and criteria for selection of the works has been stablished by a Documental Commission, formed by the COAC’s Culture Spokesperson, the director of the COAC Historical Archive, the directors of the COAC Digital Archive, and professionals and other external experts from all the territorial sections that look after to offer a transversal view of the current and past architectural landscape around the territory.

The determination of this project is to become the largest digital collection about Catalan architecture; a key tool of exemplar information and documentation about architecture, which turns into a local and international referent, for the way to explain and show the architectural heritage of a territory.

Aureli Mora i Omar Ornaque
Directors arquitecturacatalana.cat

credits

About us

Project by:

Created by:

Directors:

2019-2026 Aureli Mora i Omar Ornaque

Documental Commission:

2019-2026 Ramon Faura Carolina B. Garcia Eduard Callís Francesc Rafat Pau Albert Antoni López Daufí Joan Falgueras Mercè Bosch Jaume Farreny Anton Pàmies Juan Manuel Zaguirre Josep Ferrando Gemma Ferré Inés de Rivera Fernando Marzá Moisés Puente Aureli Mora Omar Ornaque

Collaborators:

2019-2026 Lluis Andreu Sergi Ballester Marianela Pla Maria Jesús Quintero Lucía M. Villodres Montse Viu

External Collaborators:

2019-2026 Helena Cepeda Inès Martinel

With the support of:

Generalitat de Catalunya. Departament de Cultura

Collaborating Entities:

ArquinFAD

 

Fundació Mies van der Rohe

 

Fundación DOCOMOMO Ibérico

 

Basílica de la Sagrada Família

 

Museu del Disseny de Barcelona

 

Fomento

 

AMB

 

EINA Centre Universitari de Disseny i Art de Barcelona

 

IEFC

 

Fundació Domènench Montaner.

 

ETSAB

Design & Development:

edittio Nubilum

Contemporary Wine Architectures

  • Cap de setmana 
per Pol Masip

The cathedrals of wine are well known: a group of Catalan Art Nouveau wineries built during the first third of the 20th century, most of them designed by the architect Cèsar Martinell from Valls; first-rate industrial architecture, cutting-edge at the time, built in small rural towns in the Tarragona region.

Without wishing to detract from these works, but with a desire to open our eyes to more recent ones, this itinerary offers a contemporary counterpoint to a visit to the “cathedrals” to explore some examples of wine architecture built between the last third of the 20th century and the beginning of the 21st century in the Priorat and Penedès regions. While the wine cathedrals form a coherent whole —as we have said, they are almost all by the same architect and from the same period— the contemporary wineries we propose are a much more heterogeneous group, both in terms of architects and styles.

In Alt Penedès, we mainly find clearly postmodern buildings commissioned by the major contemporary cava producers. We begin in Sant Sadurní d’Anoia, where, opposite the Art Nouveau Codorniu wineries designed by Puig i Cadafalch, are those of Josep Maria Raventós i Blanc, designed by Bach-Mora Arquitectes in the 1980s. Not far away, in Espiells, we find the Mercè Rossell i Domènech School of Viticulture and Oenology, by the same architects and from the same period; and, in the same town, the Espiells winery of Juvé & Camps, another large complex of surprisingly unknown authorship. Closer to Vilafranca are the Chandon cellars —now known as ‘Elyssia by Freixenet’ —by Carlos Díaz and Òscar Tusquets. And finally, the underground winery of Can Ràfols dels Caus, in Avinyonet del Penedès, designed by Italian architect Paolo Deganello at the beginning of the new millennium.

Halfway between the two regions, we can stop in the city of Tarragona to visit the URV’s Faculty of Chemistry and Oenology, designed by Artigues & Sanabria Arquitectes, and take the opportunity to see other buildings on the same university campus.

In the Priorat D.O. region, overlooking the rugged terrain of Priorat, we find the expressionist, industrial-looking roofs of the Mas Igneus winery by Soldevila Soldevila Soldevila Arquitectes and the Ferrer-Bobet winery by Espinet/Ubach, both dating from the mid-2000s. Also designed by Miquel Espinet is the Torres al Lloar winery. And to round off the route, the Clos Pachem winery by H Arquitectes, a large building grafted into the centre of the village of Gratallops.

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