Intro

About

In this first stage, the catalogue focuses on the modern and contemporary architecture designed and built between 1832 –year of construction of the first industrial chimney in Barcelona that we establish as the beginning of modernity– until today.

The project is born to make the architecture more accessible both to professionals and to the citizens through a website that is going to be updated and extended. Contemporary works of greater general interest will be incorporated, always with a necessary historical perspective, while gradually adding works from our past, with the ambitious objective of understanding a greater documented period.

The collection feeds from multiple sources, mainly from the generosity of architectural and photographic studios, as well as the large amount of excellent historical and reference editorial projects, such as architectural guides, magazines, monographs and other publications. It also takes into consideration all the reference sources from the various branches and associated entities with the COAC and other collaborating entities related to the architectural and design fields, in its maximum spectrum.

Special mention should be made of the incorporation of vast documentation from the COAC Historical Archive which, thanks to its documental richness, provides a large amount of valuable –and in some cases unpublished– graphic documentation.

The rigour and criteria for selection of the works has been stablished by a Documental Commission, formed by the COAC’s Culture Spokesperson, the director of the COAC Historical Archive, the directors of the COAC Digital Archive, and professionals and other external experts from all the territorial sections that look after to offer a transversal view of the current and past architectural landscape around the territory.

The determination of this project is to become the largest digital collection about Catalan architecture; a key tool of exemplar information and documentation about architecture, which turns into a local and international referent, for the way to explain and show the architectural heritage of a territory.

Aureli Mora i Omar Ornaque
Directors arquitecturacatalana.cat

credits

About us

Project by:

Created by:

Directors:

2019-2026 Aureli Mora i Omar Ornaque

Documental Commission:

2019-2026 Ramon Faura Carolina B. Garcia Eduard Callís Francesc Rafat Pau Albert Antoni López Daufí Joan Falgueras Mercè Bosch Jaume Farreny Anton Pàmies Juan Manuel Zaguirre Josep Ferrando Gemma Ferré Inés de Rivera Fernando Marzá Moisés Puente Aureli Mora Omar Ornaque

Collaborators:

2019-2026 Lluis Andreu Sergi Ballester Marianela Pla Maria Jesús Quintero Lucía M. Villodres Montse Viu

External Collaborators:

2019-2026 Helena Cepeda Inès Martinel

With the support of:

Generalitat de Catalunya. Departament de Cultura

Collaborating Entities:

ArquinFAD

 

Fundació Mies van der Rohe

 

Fundación DOCOMOMO Ibérico

 

Basílica de la Sagrada Família

 

Museu del Disseny de Barcelona

 

Fomento

 

AMB

 

EINA Centre Universitari de Disseny i Art de Barcelona

 

IEFC

 

Fundació Domènench Montaner.

 

ETSAB

Design & Development:

edittio Nubilum

Sant Cugat del Vallès: terrain, architecture and city

  • Mig dia 
per Elisenda Bonet Saumench

Sant Cugat is a city shaped by its streams. Its origins lie in a Roman villa located at the narrowest and highest point between two of these streams (the easiest place to defend), where the monastery was built. For this reason, the proposed itinerary begins at the monastery’s eastern wall, which was restored a few years ago, along with the recognition and improvement of the history of the place and the quality of the public space surrounding it.

If we follow the wall southwards, we find houses between partitions that adapt to the terrain; a good example is the renovation of a house opposite one of the towers, designed by Josep Ferrando. Next, we will go down Carrer de Sant Medir towards the Sant Cugat stream, where we will find the houses of Enric Pi and the cooperative winery of Cèsar Martinell. We will continue to the buried Sant Cugat stream (Rambla del Celler, Rambla de Jaume Sabat and Rambla de Can Mora) until we reach the old Gràcia road. At the end of the 19th century, this new access to Sant Cugat from Barcelona via La Rabassada led to the phenomenon of summer holidaymakers, the construction industry, the expansion beyond the limits of the Sant Cugat stream and the urbanisation of the southern expansion with single-family homes with large gardens. The good quality of the clay and the arrival of the train at the beginning of the 20th century favoured the boom in tile factories and the construction of these bourgeois houses with bricks, as well as the first significant increase in population.

The western boundary of this low-density neighbourhood of houses with gardens is the Sant Cugat Golf Club. Frederick Stark Pearson, the engineer and entrepreneur who brought the railway to Sant Cugat, bought the country house and land of Can Mora to build one of the first golf clubs in Catalonia. The golf course runs along a section of the drainage canal for the Can Trabal and Saladrigues torrents.

The route continues to the Ribera promenade, where we come across the open-air Can Trabal stream, which we follow upstream until we come to three detached houses overlooking the golf course woods: the AA house by Ferrater, the Luque house by Coderch i Valls, and, back to the center and the street of Villar -of higher density-, a singular reform and expansion of a summer house of the 1930s, of Bailo and Rull.

This route aims to show not only the function of streams as connecting vectors or as boundaries in the urban fabric, but also as generators of quality urban planning. Therefore, we will head towards where the Bomba stream is channelled to follow it until we find it in the open air, in the Parc Central. A project by Batlle i Roig to develop a new neighbourhood in the 1990s, based on the orographic recognition of the site and a change in planning to avoid covering the stream. With the strategy of building on the banks, adapting the buildings morphologically to the terrain and centralising the green areas, temperatures 3°C lower than in other areas of the city are achieved.

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Autors (17)