Intro

About

In this first stage, the catalogue focuses on the modern and contemporary architecture designed and built between 1832 –year of construction of the first industrial chimney in Barcelona that we establish as the beginning of modernity– until today.

The project is born to make the architecture more accessible both to professionals and to the citizens through a website that is going to be updated and extended. Contemporary works of greater general interest will be incorporated, always with a necessary historical perspective, while gradually adding works from our past, with the ambitious objective of understanding a greater documented period.

The collection feeds from multiple sources, mainly from the generosity of architectural and photographic studios, as well as the large amount of excellent historical and reference editorial projects, such as architectural guides, magazines, monographs and other publications. It also takes into consideration all the reference sources from the various branches and associated entities with the COAC and other collaborating entities related to the architectural and design fields, in its maximum spectrum.

Special mention should be made of the incorporation of vast documentation from the COAC Historical Archive which, thanks to its documental richness, provides a large amount of valuable –and in some cases unpublished– graphic documentation.

The rigour and criteria for selection of the works has been stablished by a Documental Commission, formed by the COAC’s Culture Spokesperson, the director of the COAC Historical Archive, the directors of the COAC Digital Archive, and professionals and other external experts from all the territorial sections that look after to offer a transversal view of the current and past architectural landscape around the territory.

The determination of this project is to become the largest digital collection about Catalan architecture; a key tool of exemplar information and documentation about architecture, which turns into a local and international referent, for the way to explain and show the architectural heritage of a territory.

Aureli Mora i Omar Ornaque
Directors arquitecturacatalana.cat

credits

About us

Project by:

Created by:

Directors:

2019-2026 Aureli Mora i Omar Ornaque

Documental Commission:

2019-2026 Ramon Faura Carolina B. Garcia Eduard Callís Francesc Rafat Pau Albert Antoni López Daufí Joan Falgueras Mercè Bosch Jaume Farreny Anton Pàmies Juan Manuel Zaguirre Josep Ferrando Gemma Ferré Inés de Rivera Fernando Marzá Moisés Puente Aureli Mora Omar Ornaque

Collaborators:

2019-2026 Lluis Andreu Sergi Ballester Marianela Pla Maria Jesús Quintero Lucía M. Villodres Montse Viu

External Collaborators:

2019-2026 Helena Cepeda Inès Martinel

With the support of:

Generalitat de Catalunya. Departament de Cultura

Collaborating Entities:

ArquinFAD

 

Fundació Mies van der Rohe

 

Fundación DOCOMOMO Ibérico

 

Basílica de la Sagrada Família

 

Museu del Disseny de Barcelona

 

Fomento

 

AMB

 

EINA Centre Universitari de Disseny i Art de Barcelona

 

IEFC

 

Fundació Domènench Montaner.

 

ETSAB

Design & Development:

edittio Nubilum

Forms of transformation in Osona

  • Mig dia 
per Maria Giramé

The architectural itinerary proposed here follows a common theme: transformation. Transformation understood as the phenomenon of appropriating existing realities, of changing physical and cultural structures over time. We are interested in discovering the qualities of these persistent structures, which have withstood crises in production models, political reforms and stylistic transitions, while also identifying the skill displayed by the different forms of temporary appropriation that this route offers us.

Architectural transformation can be observed in various forms and areas, from the renovation of industrial buildings to the conversion of historic houses into cultural or service spaces. This process involves a deep understanding of the construction and spatial typologies of buildings, which are reinterpreted to adapt them to the new activities and needs they accommodate. In some cases, the imposing structural presence of early vernacular industry calls for minimal intervention, as in the case of old leather tanneries. In others, the introduction of “soft” interior architecture and landscaping in outdoor spaces becomes an opportunity to respond to gestural desires or renewed ecological and social values; this would be the case of the Can Sanglas factory or the recent interventions in the New Seminary of Vic. The transformation understood as a contiguous extension, which transcends the original and displays its own resplendent autonomy, has no better example than L’Atlàntida de Can Serratosa.

The slow reconfiguration of the agroecological landscape and the integration of modern infrastructure into natural environments highlight the potential for transformation at the territorial level. Rivers have played a crucial role in the development of the Osona region. The introduction of new road and pedestrian connections, such as walkways and jetties, has been integrated into the river landscape and highlights the importance of the river in the life and evolution of the villages. The recent construction of a jetty and a floodable bridge on the River Ter in Manlleu incorporates the changing dynamics of the river landscape —due to flooding or low water levels— and reduces the human footprint to enhance the riverbed’s own ecosystem. In the urban environment, the industrial development of the last century, which swallowed up the agricultural mosaic, has forever transformed the outskirts of cities, urbanising the territory almost continuously. Surprisingly, in this suburban and generic landscape, pieces of a certain ‘industrial sublime’ can be discovered, perhaps the result of the large-scale means of its productive model. We are, of course, referring to the Puntí feed factory (now Gepesa).

We are also interested in exploring other ways of understanding transformation; for example, in the capacity of certain types of architecture to catalyse processes of change or temporality. The Osona Psychopedagogical Medical Centre displays a particular tectonic transformation: an industrialised, modular design that is easily expandable and, to a large extent, removable. The paradigm of flexibility—or open-plan design—as opposed to the vernacular construction of walls, is behind many of the proposals of the second architectural modernity that emerged in this place from the 1960s onwards. The work of Pere Llimona stands out in general. We suggest stopping at the courthouse in Vic. It is necessary to do so in situ to admire the dignity of this work, despite the passage of time. But we must also visit it through historical photographs, which show the abuse of additions and distortions that the building has suffered over the years (the different porches that emptied the volume, the tectonics of the façade, the presence of the structure, etc., have been lost).

Finally, we suggest lunch at Can Jubany, a renovated —and therefore transformed— country house that houses chef Nandu Jubany’s excellent Michelin-starred restaurant. As the perfect end to the day, we recommend a visit to a legendary work by Enric Miralles and Carme Pinós: the civic centre of Els Hostalets de Balenyà, now converted into the town hall. The transformation in use that it has undergone over the years is harmless to an architecture that, with its structural presence and tectonic gestures, transcends and reverberates the ways in which it can be inhabited (before, now and in the future).

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Autors (19)