Intro

About

In this first stage, the catalogue focuses on the modern and contemporary architecture designed and built between 1832 –year of construction of the first industrial chimney in Barcelona that we establish as the beginning of modernity– until today.

The project is born to make the architecture more accessible both to professionals and to the citizens through a website that is going to be updated and extended. Contemporary works of greater general interest will be incorporated, always with a necessary historical perspective, while gradually adding works from our past, with the ambitious objective of understanding a greater documented period.

The collection feeds from multiple sources, mainly from the generosity of architectural and photographic studios, as well as the large amount of excellent historical and reference editorial projects, such as architectural guides, magazines, monographs and other publications. It also takes into consideration all the reference sources from the various branches and associated entities with the COAC and other collaborating entities related to the architectural and design fields, in its maximum spectrum.

Special mention should be made of the incorporation of vast documentation from the COAC Historical Archive which, thanks to its documental richness, provides a large amount of valuable –and in some cases unpublished– graphic documentation.

The rigour and criteria for selection of the works has been stablished by a Documental Commission, formed by the COAC’s Culture Spokesperson, the director of the COAC Historical Archive, the directors of the COAC Digital Archive, and professionals and other external experts from all the territorial sections that look after to offer a transversal view of the current and past architectural landscape around the territory.

The determination of this project is to become the largest digital collection about Catalan architecture; a key tool of exemplar information and documentation about architecture, which turns into a local and international referent, for the way to explain and show the architectural heritage of a territory.

Aureli Mora i Omar Ornaque
Directors arquitecturacatalana.cat

credits

About us

Project by:

Created by:

Directors:

2019-2026 Aureli Mora i Omar Ornaque

Documental Commission:

2019-2026 Ramon Faura Carolina B. Garcia Eduard Callís Francesc Rafat Pau Albert Antoni López Daufí Joan Falgueras Mercè Bosch Jaume Farreny Anton Pàmies Juan Manuel Zaguirre Josep Ferrando Gemma Ferré Inés de Rivera Fernando Marzá Moisés Puente Aureli Mora Omar Ornaque

Collaborators:

2019-2026 Lluis Andreu Sergi Ballester Marianela Pla Maria Jesús Quintero Lucía M. Villodres Montse Viu

External Collaborators:

2019-2026 Helena Cepeda Inès Martinel

With the support of:

Generalitat de Catalunya. Departament de Cultura

Collaborating Entities:

ArquinFAD

 

Fundació Mies van der Rohe

 

Fundación DOCOMOMO Ibérico

 

Basílica de la Sagrada Família

 

Museu del Disseny de Barcelona

 

Fomento

 

AMB

 

EINA Centre Universitari de Disseny i Art de Barcelona

 

IEFC

 

Fundació Domènench Montaner.

 

ETSAB

Design & Development:

edittio Nubilum

Rationalism in Barcelona: Sant Andreu, Horta-Guinardó and Collserola

  • 1 dia 

We usually associate Rationalism with the orthodoxy of GATCPAC, an essential reference point for local modernity. However, beyond radicalism, black and white, we find a range of greys where we can include other types of architecture which, to a greater or lesser extent, and with different references and aspirations, applied the precepts of avant-garde architecture. With influences that always came from experiments beyond the Pyrenees, we can say that there are many examples that already point to a definitive overcoming of Catalan Art Nouveau or Noucentisme, or that, little by little, are becoming a phase of their metamorphosis. And many of these approaches predate the presentation of GATCPAC to society in April 1929.

In the 1930s, all these neighbourhoods could be considered peripheral, except for their own centres. And it is here that we find what we often do not want to see or do not need to see in the city centre, the classic English “not in my backyard”: a hospital, a radio station or, taken to the extreme, social housing for workers. At the same time, in some of these neighbourhoods, the petty bourgeoisie established a first or second residence, fleeing the city environment; class tradition continued, but style changed.

This situation of isolated mountain neighbourhoods on the outskirts of the city would continue until the end of the 20th century, when the joyous 1992 Olympic Games arrived with the urbanisation of the Vall d’Hebron and Teixonera areas, where you will be surprised to find a misplaced Pavilion of the Republic. A pavilion rebuilt for the occasion following the original in Paris in 1937, but which in fifty years’ time we will have made our own.

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