Intro

About

In this first stage, the catalogue focuses on the modern and contemporary architecture designed and built between 1832 –year of construction of the first industrial chimney in Barcelona that we establish as the beginning of modernity– until today.

The project is born to make the architecture more accessible both to professionals and to the citizens through a website that is going to be updated and extended. Contemporary works of greater general interest will be incorporated, always with a necessary historical perspective, while gradually adding works from our past, with the ambitious objective of understanding a greater documented period.

The collection feeds from multiple sources, mainly from the generosity of architectural and photographic studios, as well as the large amount of excellent historical and reference editorial projects, such as architectural guides, magazines, monographs and other publications. It also takes into consideration all the reference sources from the various branches and associated entities with the COAC and other collaborating entities related to the architectural and design fields, in its maximum spectrum.

Special mention should be made of the incorporation of vast documentation from the COAC Historical Archive which, thanks to its documental richness, provides a large amount of valuable –and in some cases unpublished– graphic documentation.

The rigour and criteria for selection of the works has been stablished by a Documental Commission, formed by the COAC’s Culture Spokesperson, the director of the COAC Historical Archive, the directors of the COAC Digital Archive, and professionals and other external experts from all the territorial sections that look after to offer a transversal view of the current and past architectural landscape around the territory.

The determination of this project is to become the largest digital collection about Catalan architecture; a key tool of exemplar information and documentation about architecture, which turns into a local and international referent, for the way to explain and show the architectural heritage of a territory.

Aureli Mora i Omar Ornaque
Directors arquitecturacatalana.cat

credits

About us

Project by:

Created by:

Directors:

2019-2026 Aureli Mora i Omar Ornaque

Documental Commission:

2019-2026 Ramon Faura Carolina B. Garcia Eduard Callís Francesc Rafat Pau Albert Antoni López Daufí Joan Falgueras Mercè Bosch Jaume Farreny Anton Pàmies Juan Manuel Zaguirre Josep Ferrando Gemma Ferré Inés de Rivera Fernando Marzá Moisés Puente Aureli Mora Omar Ornaque

Collaborators:

2019-2026 Lluis Andreu Sergi Ballester Marianela Pla Maria Jesús Quintero Lucía M. Villodres Montse Viu

External Collaborators:

2019-2026 Helena Cepeda Inès Martinel

With the support of:

Generalitat de Catalunya. Departament de Cultura

Collaborating Entities:

ArquinFAD

 

Fundació Mies van der Rohe

 

Fundación DOCOMOMO Ibérico

 

Basílica de la Sagrada Família

 

Museu del Disseny de Barcelona

 

Fomento

 

AMB

 

EINA Centre Universitari de Disseny i Art de Barcelona

 

IEFC

 

Fundació Domènench Montaner.

 

ETSAB

Design & Development:

edittio Nubilum

Costa Brava: coastal paths, sites and botanical gardens

  • Cap de setmana 
per Fernando Villavecchia Obregón

The itinerary brings together three historic gardens and a residential development established on the Costa Brava during the early decades of the 20th century, as well as a series of significant sections of the Costa Brava coastal path that follows the rugged coastline between Blanes and Llafranc. As a complement, the new Marina de Palamós—a recent project by Estudio Martí Franch, located at the foot of a section of the path—and, by the authors themselves, the landscape restoration of the Palamós coastal path have been added.

Starting at Port Bo beach in Calella de Palafrugell, known for its arches, we head towards the port of Malaespina. After crossing Canadell beach, we continue along the coastal path from Calella to Llafranc, passing Tres Pins and the watchtower dating from 1597, before reaching Llafranc.

In the south of Calella we find the Cap Roig botanical garden, created by the exiled Tsarist Nicolai Woevodski and his wife Dorothy Webster between 1931 and 1975. Dorothy and a team of local gardeners were responsible for landscaping the seven hectares located on a cliff and planting Mediterranean, tropical and subtropical flora.

According to a report on the landscape restoration project for the Palamós coastal path, ‘the aim of the project is to connect the existing sections into a single continuous path linking the town, its nearby beaches and the Natural Park, while preserving and improving the coastal landscape for decades to come’. The Marina de Palamós yacht harbour enriches the coastal heritage through the judicious use of pergolas, paths and flowerbeds with plants adapted to the marine environment. This comfortable and practical site is bordered to the north by several coves served by the coastal path.

In the S’Agaró residential development, designed by Rafael Masó for the industrialist Josep Ensesa in 1917, the architect organised the land with public spaces —squares, stairways, facilities, etc.— integrated with plots for villas such as Senya Blanca, for Mr Ensesa, and another for himself, as well as the Hostal de la Gavina. After Masó’s death, the architect Francesc Folguera took charge of interventions such as the church and the coastal path, where both travertine and wind-deformed pine trees play an important role, and from where you can see a seven-arched loggia originally designed by Masó for the Senya Blanca garden.

The Santa Clotilde Gardens in Lloret de Mar, begun in 1919 and a clear example of a Noucentista garden, were designed by architect Nicolau Maria Rubió i Tudurí—a great admirer of Jean-Claude-Nicolas Forestier—in collaboration with the owner, Dr Raül Roviralta, a man of the world. In the words of Josep Pla, ‘the grand staircase, flanked by towering cypress trees, facing the tip of Santa Cristina, makes an indelible impression’.

Created in 1921 by the industrialist and naturalist Carles Faust i Schmidt at the northern end of Blanes, the Mar i Murtra botanical garden was admired by Pla, who dedicated a few words of admiration to it in his 1941 book ‘La Costa Brava’. It shares its location with the other gardens on the route. On the slopes of Sant Francesc mountain and down to the cliffs, there are plants from various origins, in line with the aim of acclimatising vegetation —especially tropical and temperate— to the Blanes coast. This evocative setting is accompanied by the architectural project of Josep Goday i Casals.

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