Intro

About

In this first stage, the catalogue focuses on the modern and contemporary architecture designed and built between 1832 –year of construction of the first industrial chimney in Barcelona that we establish as the beginning of modernity– until today.

The project is born to make the architecture more accessible both to professionals and to the citizens through a website that is going to be updated and extended. Contemporary works of greater general interest will be incorporated, always with a necessary historical perspective, while gradually adding works from our past, with the ambitious objective of understanding a greater documented period.

The collection feeds from multiple sources, mainly from the generosity of architectural and photographic studios, as well as the large amount of excellent historical and reference editorial projects, such as architectural guides, magazines, monographs and other publications. It also takes into consideration all the reference sources from the various branches and associated entities with the COAC and other collaborating entities related to the architectural and design fields, in its maximum spectrum.

Special mention should be made of the incorporation of vast documentation from the COAC Historical Archive which, thanks to its documental richness, provides a large amount of valuable –and in some cases unpublished– graphic documentation.

The rigour and criteria for selection of the works has been stablished by a Documental Commission, formed by the COAC’s Culture Spokesperson, the director of the COAC Historical Archive, the directors of the COAC Digital Archive, and professionals and other external experts from all the territorial sections that look after to offer a transversal view of the current and past architectural landscape around the territory.

The determination of this project is to become the largest digital collection about Catalan architecture; a key tool of exemplar information and documentation about architecture, which turns into a local and international referent, for the way to explain and show the architectural heritage of a territory.

Aureli Mora i Omar Ornaque
Directors arquitecturacatalana.cat

credits

About us

Project by:

Created by:

Directors:

2019-2026 Aureli Mora i Omar Ornaque

Documental Commission:

2019-2026 Ramon Faura Carolina B. Garcia Eduard Callís Francesc Rafat Pau Albert Antoni López Daufí Joan Falgueras Mercè Bosch Jaume Farreny Anton Pàmies Juan Manuel Zaguirre Josep Ferrando Gemma Ferré Inés de Rivera Fernando Marzá Moisés Puente Aureli Mora Omar Ornaque

Collaborators:

2019-2026 Lluis Andreu Sergi Ballester Marianela Pla Maria Jesús Quintero Lucía M. Villodres Montse Viu

External Collaborators:

2019-2026 Helena Cepeda Inès Martinel

With the support of:

Generalitat de Catalunya. Departament de Cultura

Collaborating Entities:

ArquinFAD

 

Fundació Mies van der Rohe

 

Fundación DOCOMOMO Ibérico

 

Basílica de la Sagrada Família

 

Museu del Disseny de Barcelona

 

Fomento

 

AMB

 

EINA Centre Universitari de Disseny i Art de Barcelona

 

IEFC

 

Fundació Domènench Montaner.

 

ETSAB

Design & Development:

edittio Nubilum

The domestic lobby, a typology in its own right

  • 1 dia 
per José Hevia

On this itinerary we explore a Barcelona through the lens of the entrance spaces of modern collective housing buildings: spaces which, beyond their function of facilitating and regulating access, represent their inhabitants through the paradigms of their time. As many of these entrances are well preserved, they act as a showcase containing a frozen modernity for the visitor, having been designed to engage in dialogue with the street.

These spaces underwent a process of sub-typological transition and reinvention, the origins and meaning of which can be found in earlier historical architecture: the entrances of old residential buildings —deep and generously proportioned in height (at least enough for a horse and carriage), and usually with a courtyard at the back— were taken up and reinterpreted by Barcelona’s Catalan Art Nouveau. Horses and carriages gradually disappeared as hygienist modernity arrived, resizing ground floors with the pedestrian and the automobile as new points of reference.

The architects who designed the most representative examples of collective housing in Barcelona for this new private, bourgeois and industrial ideal seem to have been responding to the following question: how could the inherited representational status of the traditional building be reformulated within the new modern scenario? They did so by employing resources such as ornamentation —drawing on expressions of industrial tectonics and applied-art geometries— while also hierarchically preserving the spatial generosity of the ground floor, through devices such as double-height spaces or fully open, through-plans. They also articulated new relationships with the exterior that responded to contemporary programmes, with entrances that staged this moment, anticipating the experience awaiting the visitor in the intermediate space between street and interior.

These entrances and waiting areas often display an appearance of domesticity —almost like a diorama— as if they were another dwelling, complete with period furniture. They generate a kind of private room open to the street: a transitional filter that welcomes and holds guests —and strangers alike— in a limbo where the communal realm ends and private life begins.

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