Intro

About

In this first stage, the catalogue focuses on the modern and contemporary architecture designed and built between 1832 –year of construction of the first industrial chimney in Barcelona that we establish as the beginning of modernity– until today.

The project is born to make the architecture more accessible both to professionals and to the citizens through a website that is going to be updated and extended. Contemporary works of greater general interest will be incorporated, always with a necessary historical perspective, while gradually adding works from our past, with the ambitious objective of understanding a greater documented period.

The collection feeds from multiple sources, mainly from the generosity of architectural and photographic studios, as well as the large amount of excellent historical and reference editorial projects, such as architectural guides, magazines, monographs and other publications. It also takes into consideration all the reference sources from the various branches and associated entities with the COAC and other collaborating entities related to the architectural and design fields, in its maximum spectrum.

Special mention should be made of the incorporation of vast documentation from the COAC Historical Archive which, thanks to its documental richness, provides a large amount of valuable –and in some cases unpublished– graphic documentation.

The rigour and criteria for selection of the works has been stablished by a Documental Commission, formed by the COAC’s Culture Spokesperson, the director of the COAC Historical Archive, the directors of the COAC Digital Archive, and professionals and other external experts from all the territorial sections that look after to offer a transversal view of the current and past architectural landscape around the territory.

The determination of this project is to become the largest digital collection about Catalan architecture; a key tool of exemplar information and documentation about architecture, which turns into a local and international referent, for the way to explain and show the architectural heritage of a territory.

Aureli Mora i Omar Ornaque
Directors arquitecturacatalana.cat

credits

About us

Project by:

Created by:

Directors:

2019-2026 Aureli Mora i Omar Ornaque

Documental Commission:

2019-2026 Ramon Faura Carolina B. Garcia Eduard Callís Francesc Rafat Pau Albert Antoni López Daufí Joan Falgueras Mercè Bosch Jaume Farreny Anton Pàmies Juan Manuel Zaguirre Josep Ferrando Gemma Ferré Inés de Rivera Fernando Marzá Moisés Puente Aureli Mora Omar Ornaque

Collaborators:

2019-2026 Lluis Andreu Sergi Ballester Marianela Pla Maria Jesús Quintero Lucía M. Villodres Montse Viu

External Collaborators:

2019-2026 Helena Cepeda Inès Martinel

With the support of:

Generalitat de Catalunya. Departament de Cultura

Collaborating Entities:

ArquinFAD

 

Fundació Mies van der Rohe

 

Fundación DOCOMOMO Ibérico

 

Basílica de la Sagrada Família

 

Museu del Disseny de Barcelona

 

Fomento

 

AMB

 

EINA Centre Universitari de Disseny i Art de Barcelona

 

IEFC

 

Fundació Domènench Montaner.

 

ETSAB

Design & Development:

edittio Nubilum

Rafael Masó in Girona

  • Mig dia 

This itinerary focuses on the Girona architect, designer and decorator Rafael Masó i Valentí (1880-1935), who, after studying architecture in Barcelona, set up his own practice in the city, where he also played an important role as a promoter and animator of cultural and civic life. His work spread throughout the region, with important projects such as the Teixidor flour mill, the Batlle, Ensesa and Teixidor houses in Girona, the Masramon House in Olot, the L’Econòmica Palafrugellenca cooperative in Palafrugell and the garden city complex of S’Agaró, among many others. However, in this case we will focus on his works in the capital of Girona.

The study of Masó’s architecture can be divided into three periods:

The first, from 1906 to 1911, in which Rafael Masó attempted to formulate his own language, although he was influenced by other architects. From this period, in Girona, we find the Masó pharmacy, the Batlle house, the Teixidor flour mill, the Ensesa warehouse and the Salieti and Masó houses.

In the second period, which began in 1912 after his honeymoon trip to Italy and Germany and lasted until 1922, he reinforced his initial attitude of defining his own style. This was the period of his fully Noucentista works, which are considered the most interesting of his career. In the city of Girona, these include the Athenea building (demolished), the Ensesa and Teixidor houses, the Callicó garage (demolished) and the Gispert Saüch house.

In the third period, from 1923 to 1935, there was a reinforcement of the idealisation of Catalonia, expressed through traditional elements (sgraffito, columns, terracotta, etc.). Examples in the city of Girona include the Cots and Colomer houses and the Teixidor housing development (demolished).

This route can be completed by visiting the interiors of Masó house, located on Carrer Ballesteries.

Tornar
Si no visioneu el mapa reviseu el vostre consentiment de cookies fent click aquí

Autors (1)