Intro

About

In this first stage, the catalogue focuses on the modern and contemporary architecture designed and built between 1832 –year of construction of the first industrial chimney in Barcelona that we establish as the beginning of modernity– until today.

The project is born to make the architecture more accessible both to professionals and to the citizens through a website that is going to be updated and extended. Contemporary works of greater general interest will be incorporated, always with a necessary historical perspective, while gradually adding works from our past, with the ambitious objective of understanding a greater documented period.

The collection feeds from multiple sources, mainly from the generosity of architectural and photographic studios, as well as the large amount of excellent historical and reference editorial projects, such as architectural guides, magazines, monographs and other publications. It also takes into consideration all the reference sources from the various branches and associated entities with the COAC and other collaborating entities related to the architectural and design fields, in its maximum spectrum.

Special mention should be made of the incorporation of vast documentation from the COAC Historical Archive which, thanks to its documental richness, provides a large amount of valuable –and in some cases unpublished– graphic documentation.

The rigour and criteria for selection of the works has been stablished by a Documental Commission, formed by the COAC’s Culture Spokesperson, the director of the COAC Historical Archive, the directors of the COAC Digital Archive, and professionals and other external experts from all the territorial sections that look after to offer a transversal view of the current and past architectural landscape around the territory.

The determination of this project is to become the largest digital collection about Catalan architecture; a key tool of exemplar information and documentation about architecture, which turns into a local and international referent, for the way to explain and show the architectural heritage of a territory.

Aureli Mora i Omar Ornaque
Directors arquitecturacatalana.cat

credits

About us

Project by:

Created by:

Directors:

2019-2026 Aureli Mora i Omar Ornaque

Documental Commission:

2019-2026 Ramon Faura Carolina B. Garcia Eduard Callís Francesc Rafat Pau Albert Antoni López Daufí Joan Falgueras Mercè Bosch Jaume Farreny Anton Pàmies Juan Manuel Zaguirre Josep Ferrando Gemma Ferré Inés de Rivera Fernando Marzá Moisés Puente Aureli Mora Omar Ornaque

Collaborators:

2019-2026 Lluis Andreu Sergi Ballester Marianela Pla Maria Jesús Quintero Lucía M. Villodres Montse Viu

External Collaborators:

2019-2026 Helena Cepeda Inès Martinel

With the support of:

Generalitat de Catalunya. Departament de Cultura

Collaborating Entities:

ArquinFAD

 

Fundació Mies van der Rohe

 

Fundación DOCOMOMO Ibérico

 

Basílica de la Sagrada Família

 

Museu del Disseny de Barcelona

 

Fomento

 

AMB

 

EINA Centre Universitari de Disseny i Art de Barcelona

 

IEFC

 

Fundació Domènench Montaner.

 

ETSAB

Design & Development:

edittio Nubilum

Lookouts and shores: Empordà, Gironès and Pla de l’Estany

  • Cap de setmana 
per Eileen Liebman

The itinerary may seem arbitrary, as it includes works with differing degrees of intervention in the landscape, distinct from one another both temporally and formally. This variety is precisely what has been sought, as it reflects the wide range of geographical and morphological conditions offered by the rural context of the counties of Alt and Baix Empordà, Gironès and Pla de l’Estany.

Along the itinerary, more intimate or enclosed places are combined —where scale plays an important role, such as the re-urbanisation of Ullastret— with more expansive ones; places of passage or strolling alongside places for gathering; viewpoints, parks, vertical structures that evoke watchtowers or lighthouses offering distant views; as well as recovered and lightly formalised paths that bring us closer to, and into, places which, although they may have lost part of their original use or meaning, have endured over time.

These are places that edge water: either freshwater —such as those found at Lake Banyoles, the Monar canal at the level of Salt, or the River Ter in the city of Girona— or the sea, as in Empúries, the first Greek settlement on the Iberian Peninsula, in the Bay of Roses, or along the seafront. There are also other “edges”, such as former agricultural land, particularly market gardens, as in the case of the orchards of Vilabertran, near Figueres, where the boundary between countryside and city is drawn and redrawn; or La Vora de Girona, on the Les Pedreres hillside, which is both close at hand and a lookout point. With their vertical and punctual presence, contemporary lookouts accompany and punctuate the edges of the route; and, like the old sentry towers found both along the coast and inland, they allow us to rise above the landscape and perceive the richness and interrelationship between towns, fields and woodland, or to grasp the shifts in perspective offered by the lakes with Cape Norfeu in the distance.

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