Intro

About

In this first stage, the catalogue focuses on the modern and contemporary architecture designed and built between 1832 –year of construction of the first industrial chimney in Barcelona that we establish as the beginning of modernity– until today.

The project is born to make the architecture more accessible both to professionals and to the citizens through a website that is going to be updated and extended. Contemporary works of greater general interest will be incorporated, always with a necessary historical perspective, while gradually adding works from our past, with the ambitious objective of understanding a greater documented period.

The collection feeds from multiple sources, mainly from the generosity of architectural and photographic studios, as well as the large amount of excellent historical and reference editorial projects, such as architectural guides, magazines, monographs and other publications. It also takes into consideration all the reference sources from the various branches and associated entities with the COAC and other collaborating entities related to the architectural and design fields, in its maximum spectrum.

Special mention should be made of the incorporation of vast documentation from the COAC Historical Archive which, thanks to its documental richness, provides a large amount of valuable –and in some cases unpublished– graphic documentation.

The rigour and criteria for selection of the works has been stablished by a Documental Commission, formed by the COAC’s Culture Spokesperson, the director of the COAC Historical Archive, the directors of the COAC Digital Archive, and professionals and other external experts from all the territorial sections that look after to offer a transversal view of the current and past architectural landscape around the territory.

The determination of this project is to become the largest digital collection about Catalan architecture; a key tool of exemplar information and documentation about architecture, which turns into a local and international referent, for the way to explain and show the architectural heritage of a territory.

Aureli Mora i Omar Ornaque
Directors arquitecturacatalana.cat

credits

About us

Project by:

Created by:

Directors:

2019-2026 Aureli Mora i Omar Ornaque

Documental Commission:

2019-2026 Ramon Faura Carolina B. Garcia Eduard Callís Francesc Rafat Pau Albert Antoni López Daufí Joan Falgueras Mercè Bosch Jaume Farreny Anton Pàmies Juan Manuel Zaguirre Josep Ferrando Gemma Ferré Inés de Rivera Fernando Marzá Moisés Puente Aureli Mora Omar Ornaque

Collaborators:

2019-2026 Lluis Andreu Sergi Ballester Marianela Pla Maria Jesús Quintero Lucía M. Villodres Montse Viu

External Collaborators:

2019-2026 Helena Cepeda Inès Martinel

With the support of:

Generalitat de Catalunya. Departament de Cultura

Collaborating Entities:

ArquinFAD

 

Fundació Mies van der Rohe

 

Fundación DOCOMOMO Ibérico

 

Basílica de la Sagrada Família

 

Museu del Disseny de Barcelona

 

Fomento

 

AMB

 

EINA Centre Universitari de Disseny i Art de Barcelona

 

IEFC

 

Fundació Domènench Montaner.

 

ETSAB

Design & Development:

edittio Nubilum

The Commonwealth of Catalonia: Education and Networked Strategy

  • Cap de setmana 

Education and the dissemination of knowledge were fundamental pillars of the action plan of the newly established Commonwealth of Catalonia (‘Mancomunitat’). In 1914, literacy rates in Spain were very low compared with those of the rest of Europe; teaching methods were rigid and based almost exclusively on lectures and rote learning, and Spanish was the sole language of instruction. All this stood in stark contrast to the aspirations of an institution which, although endowed with largely symbolic executive power, pursued more optimistic, European-oriented and open ideals, championed by figures such as Enric Prat de la Riba and Eugeni d’Ors. The Mancomunitat sought to build upon the political and cultural Catalanism forged from the second half of the 19th century to the early 20th, driven by a generation of intellectuals and a local bourgeoisie committed to a project of national renewal.

The institution was founded with the intention of blurring, within Catalonia, the Spanish provincial map imposed in 1833 across the entire state, whereby each province answered directly to central government through the provincial councils. Bringing together the four Catalan provincial councils under a single body represented a major step forward, symbolising not only administrative but also cultural unity; implementing this on the ground was an enormous challenge. In the field of education, and with the aim of weaving together the territory, four schools were opened in rural areas —one per province— with Catalan as the language of instruction: Sant Llorenç Savall (Barcelona), Palau-saverdera (Girona), La Masó (Tarragona) and els Torms (Lleida) were chosen for this pilot project. Although still modest in scope, these tentative foundations would become the seed of the future Catalan school system.

At the same time, and in the service of society as a whole, a network of public libraries was created —stocked with titles selected by the Mancomunitat itself— housed in newly constructed buildings which, like the schools, were required to embody Noucentista ideals. This was reflected in their architecture, inspired by the Renaissance, with clear lines, restrained ornamentation and classical orders. Ideals, therefore, were also transmitted through the very buildings that were meant to represent them.

With the dictatorship of Primo de Rivera, the Mancomunitat was dissolved in 1923–1924, but its spirit did not disappear. With the advent of the Second Spanish Republic, these initial steps multiplied exponentially, and the proliferation of educational and cultural centres became both notable and significant. Yet it is these early attempts, and their small-scale architecture, that this route seeks to highlight—a fragile heritage well worth reclaiming.

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