Intro

About

In this first stage, the catalogue focuses on the modern and contemporary architecture designed and built between 1832 –year of construction of the first industrial chimney in Barcelona that we establish as the beginning of modernity– until today.

The project is born to make the architecture more accessible both to professionals and to the citizens through a website that is going to be updated and extended. Contemporary works of greater general interest will be incorporated, always with a necessary historical perspective, while gradually adding works from our past, with the ambitious objective of understanding a greater documented period.

The collection feeds from multiple sources, mainly from the generosity of architectural and photographic studios, as well as the large amount of excellent historical and reference editorial projects, such as architectural guides, magazines, monographs and other publications. It also takes into consideration all the reference sources from the various branches and associated entities with the COAC and other collaborating entities related to the architectural and design fields, in its maximum spectrum.

Special mention should be made of the incorporation of vast documentation from the COAC Historical Archive which, thanks to its documental richness, provides a large amount of valuable –and in some cases unpublished– graphic documentation.

The rigour and criteria for selection of the works has been stablished by a Documental Commission, formed by the COAC’s Culture Spokesperson, the director of the COAC Historical Archive, the directors of the COAC Digital Archive, and professionals and other external experts from all the territorial sections that look after to offer a transversal view of the current and past architectural landscape around the territory.

The determination of this project is to become the largest digital collection about Catalan architecture; a key tool of exemplar information and documentation about architecture, which turns into a local and international referent, for the way to explain and show the architectural heritage of a territory.

Aureli Mora i Omar Ornaque
Directors arquitecturacatalana.cat

credits

About us

Project by:

Created by:

Directors:

2019-2026 Aureli Mora i Omar Ornaque

Documental Commission:

2019-2026 Ramon Faura Carolina B. Garcia Eduard Callís Francesc Rafat Pau Albert Antoni López Daufí Joan Falgueras Mercè Bosch Jaume Farreny Anton Pàmies Juan Manuel Zaguirre Josep Ferrando Gemma Ferré Inés de Rivera Fernando Marzá Moisés Puente Aureli Mora Omar Ornaque

Collaborators:

2019-2026 Lluis Andreu Sergi Ballester Marianela Pla Maria Jesús Quintero Lucía M. Villodres Montse Viu

External Collaborators:

2019-2026 Helena Cepeda Inès Martinel

With the support of:

Generalitat de Catalunya. Departament de Cultura

Collaborating Entities:

ArquinFAD

 

Fundació Mies van der Rohe

 

Fundación DOCOMOMO Ibérico

 

Basílica de la Sagrada Família

 

Museu del Disseny de Barcelona

 

Fomento

 

AMB

 

EINA Centre Universitari de Disseny i Art de Barcelona

 

IEFC

 

Fundació Domènench Montaner.

 

ETSAB

Design & Development:

edittio Nubilum

The great Barcelona of the Pritzker Prizes 1979-2024

  • Cap de setmana 
per Llàtzer Moix

Of the forty-seven architectural firms that have received the Pritzker Prize since 1979, fourteen have built in Barcelona. According to a widespread cliché among local architects, they have left behind their worst works. Being a subjective cliché, it is debatable: I would say that in half of the cases it is not true and in the rest it is debatable. However, it is a fact that most of the Barcelona commissions were awarded to the architects before they received the prize. Except in the cases of I.M. Pei (awarded in 1983), co-author with Cobb and Freed of the World Trade Centre (WTC), and Richard Meier (1984), responsible for the MACBA.

The route begins precisely with Meier who, invited by Mayor Maragall to begin the architectural regeneration of the Raval, fitted in the neo-rationalist MACBA headquarters. It continues with Las Arenas, a bullfighting venue with a Mudéjar façade that Richard Rogers (2007) revamped with futuristic elements. Walking along Gran Via to L’Hospitalet, you reach the City of Justice, nine sober, ochre-coloured blocks by David Chipperfield (2023). Further on, in L’Hospitalet’s Plaça d’Europa, are the works of Toyo Ito (2013) and RCR (2017): the Fira towers, particularly the reddish, tree-like one, and the Olympus building, with its stepped metal exostructure.

Climbing up Montjuïc, we find Arata Isozaki‘s Palau Sant Jordi (2019), and, on the other side of the mountain, in the port area, Pei’s WTC. Following the coastline, we come to Frank Gehry‘s gleaming copper Fish (1989). And a little further on, Álvaro Siza‘s circular Meteorological Centre (1992).

Still by the sea, at the northern end of Diagonal, is Herzog & de Meuron‘s Forum building (2001), triangular, blue and self-absorbed, and on Diagonal, next to Glòries, Jean Nouvel‘s Agbar Tower (2008). Near the southern end of this avenue stands the reclining skyscraper by Rafael Moneo (1996) and Manuel de Solà-Morales.

Two works on the outskirts of Barcelona bring this itinerary to a close: the slender Collserola Tower by Norman Foster (1999), presiding over the city, and, in Santa Coloma, the La Pallaresa residential complex by Eduardo Souto de Moura (2011).

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